The legend of An Gobán Saor

An Gobán Saor was a highly skilled smith or architect in Irish history and legend. Gobban the Builder is a figure regarded in Irish traditional lore as an architect of the seventh century employed by many Irish saints to build churches, oratories, and bell towers.

When he wanted to hammer nails into a high beam, he would fling them into the air and throw his hammer after them, catching it as it came down after driving the nails into the beam. In this way, he was able to get through the work of ten men in short order.

The legend of An Gobán Saor has been carried nationwide and many counties lay claim to either his birth, residence or burial place. Such was the myth of this man ‘who was highly skilled in every trade’ that legends abound around him in Kildare, Galway, Tipperary. We can lay claim to our own version in Quin thanks to Eugene O’Curry from West Clare.

“In the body of the church (Quin Abbey) is a green narrow flag without any inscription but with the outline of this figure [a hatchet] cut pretty deeply lengthways on it. It is the size of an ordinary hatchet. The stone is apparently very old and does not seem to occupy its original situation; the grave which it covers being too new for it. Quite close to the abbey on the south is a small ruin called Tíg na Saor [house of the masons], one of whom (na saoir) must have been under this flag. Some of the people will tell you that it covered the grave of the Gobán Saor, whose name was O’Daly and who lived at Cathair Gobáin between Newmarket and Bunratty. He built Quin Abbey, the stone pillars of the cloister being his own workmanship. These pillars are of different shapes, some round, some square, and others as if some of the square ones had been twisted round and my informant said that they were twisted by the Gobán, though he (the Gobán) asserted that he shaped them out with a celebrated tool called cor in aghaidh an chaim agus cam in aghaidh an choir [turn against the twist and twist against the turn].

M Hooper 1794 sketch and John L. Worrall’s lithograph of Quin Abbey. In both we can see Tíg na Saor on the left-hand side of the abbey.

Two Connaught horse dealers, having strolled into the ruin some years ago, were much astonished at seeing the twisted pillars, one of them in admiration exclaimed Óra thanam aig an diabhal a Mhairtín, nár láidre an fear do chas na clochaidh sin. Óc’s thanam aig an diabhal a dhailtín (says the other) cár láidre é ná an fear do ghremaidhe dó iad. [By my soul Mairtín, but wasn’t the man strong who twisted those stones? And by my soul, says the other, how much stronger was he than the man who held them for him?]”

 

(Letters on the Antiquities of County Clare, 1835 by Eugene O’Curry – Letter VI: Quin Abbey; The Gobán Saor

Extract of a letter from E Curry to George Smith Esq. College Green, Dublin, dated Limerick,30 September 1835)

The remains of Tíg na Saor (the Masons House) can still be seen on the right hand side of the footpath as you approach the pedestrian entrance to Quin Abbey.

Reference websites

https://www.askaboutireland.ie/reading-room/history-heritage/folklore-of-ireland/folklore-folk-tales-and-c/the-goban-saor-or-gubbawn/

https://www.duchas.ie/en/cbes/4602747/4600673/4632878

https://www.duchas.ie/en/cbes/4562124/4561490/4571874

https://bardmythologies.com/the-goban-saor/

 

 

 

Seán na Gealaí

Halloween is the direct descendent of Samhain. It was the night when the gap between this world and the spirit world narrowed.  Known as Oiche Shamhna or ‘spirit night’, the souls of the dead were expected to return to the family home. The Church introduced the Feast of All Saints (Nov1) and the Feast of All Souls (Nov 2nd) to counter Samhain. Evil spirits were also thought to be abroad and people avoided travelling alone on this night.

   “Deireann na daoine go mbíonn sidheogaí amuigh oidhche Shamhna”, Schools’ Collection (NFCS 249).

Origins of Samhain

Contender 1- Tulsk, County Roscommon

Oweynagat Cave, Uaimh na gCat, meaning the ‘Cave of the Cats’ in Rath Croaghan. The Book of Leinster names it as dorus iffrin na Hérend – Ireland’s Gateway to Hell. Demons and all kinds of creatures emerge from here on Oiche Shamhna.

 Echtra Nerai (the Adventures of Nera) is first mentioned in the 10th century Cath Maige Mucrama story,  happening at Samhain.

Oweynagat Cave is also said to be the home of the Morrigan. She is portrayed as a goddess of battle and war, with the power to transform into crows or ravens. Her dreaded cry was frequently heard over battlefields.

Echtra Nerai, the Adventures of Nera

An Irish text taken from the Ulster Cycle, dating to the tenth century entitled ‘Nera and the Dead Man’, tells of the warrior Nera who accepts a dare during a dark and stormy Samhain night to tie a withy around the ankle of a hanging dead man. As he does so, the corpse suddenly comes to life and asks Nera to carry him on his back. Nera complies. After some adventures Nera gets the dead man back to his tree. All of this takes place at Samhain at Rath Croaghan/Cruachan, hence its association with Halloween.

Contender 2 – Tlachtga, Meath

The original Tlachtga was a druidess of considerable power and importance, the daughter of Mug Ruith who lived on Valentia Island in Kerry. He is said to have lived through the reign of nineteen kings, with his lifespan stretching back to the time of Christ on earth. Tlachtga and her father could travel the world on the Rath, a fabulous spinning wheel of fire that easily transported them. Mug Ruith sought out knowledge and learning like few before him and it was in this manner that he and Tlachtga travelled to study under Simon Magus (Simon the Sorcerer), who is mentioned in the Bible.

Simon Magus and Mug Ruith sent Tlachtga out into the world to gather as much knowledge as she could find. Upon her return they realized that her knowledge far surpassed their own!
They were outraged and such was their jealousy that they set the three sons of Simon Magus upon Tlachtga, who defiled her. She returned to Ireland where she gave birth to three sons, Dorb (Doirb), Cuma (Cumma) and Muach.

It was on the hill of Ward in county Meath that Tlachtga brought her three sons into the world, and it was there that she died, unable to sustain her life in the face of the utter grief and despair she felt at the indignity she had endured.

In recent years a renewal of the annual gathering on the hill of Ward now attracts hundreds of people at Halloween. A walk from Athboy up towards the Hill itself culminates with a celebration, with elaborate ceremonies and an acknowledgement of the cultural gift to Ireland and the world that Tlachtga represents.

In the ancient kingdom of Mide, Tlachtga was considered an important assembly place alongside Tara, Teiltun and Uisneach. These four ‘corners’ are recorded as having been the location of fortresses constructed by high king Tuathal Techmar at the foundation of Mide in the early decades of the first millennium AD.

‘Much of the (archaeological) evidence points towards a long history of ritual activity. Large quantities of animal bones – a sign of large scale feasting have been found throughout all phases of the site. The lack of evidence of any residential or day to day activity strengthens the idea that it most likely it was set aside purely for ritual or celebratory activity.

There have been finds in all three phases of the site, including scattered Bronze Age human remains and the skeleton of an infant between seven and ten months old… The child burial, next to a ritual deposit of cow bones, dates to AD 450 – around the time of the arrival of Christianity.

“The child was clearly buried with care and having not found any evidence of burials on the site, we’d have to guess that This child belonged to someone significant”.

Harvest knots and Guises

 

 

Homemade masks made by village boys calling to local houses on Oiche Shamhna

Outdoors

Unlike May when the fairies are active, November Eve brings malevolent spirits. It is the night for community bonfires, especially in housing estates in the cities and towns. Collecting the last handful of fruit and nuts.

Indoors

Families would attempt to have a celebratory supper on Oiche Shamhna. Family supper might be colcannon or pandy. They would first secure the house by sprinkling Holy Water and possibly placing a religious object in the thatch near the front door.

Typical Samhain Food included pancakes, stampy (a potato and apple cake, crusted with barley, enhanced with sea spinach and rock samphire & cooked with oil) apple cakes, nuts, blackberry pies.

An bairín breac/the barmbrack or the ‘speckled loaf’, containing oodles of dried autumn fruits is still a favourite treat, with lashings of butter.

Tokens inside the traditional loaf included the ring as a symbol of love and marriage,  a thimble (spinsterhood); a button (bachelorhood); a stick (to be beaten by the spouse); a rag (poverty); a coin (wealth) and a crucifix (the taking of religious orders).

Future Reading