Who would ever have thought, that in 1969 our quaint village played host to some of the biggest names in Hollywood? I bet you never realised that your neighbour over the road once partook in a Walt Disney adventure film starring Kurt Russell, Glen Corbett and Alfred Burke? Yes ‘Guns in the Heather’ was primarily shot on location in St. Flannan’s College Ennis, Corkscrew Hill, Corofin, Kilfenora… and Quin!

It was based on the novel by Lockhart Amerman and the plot centred on spies chasing an American exchange student, Russell, and his friend Dawson across the land of Ireland to unearth the secret of Boyne Castle Co. Meath. Evidently, vital information concerning the whereabouts of an Eastern Bloc defecting scientist was held here.

To give you but a flavour of the action – the film opens with a car chase as a mortally wounded Irish underworld character is followed by spies. That scene ends on the school grounds of St. Flannans as the ‘baddies’ not wishing to draw attention to themselves, won’t enter the school gates. (Look out for Hubie Armstrong from Cullane in the opening hurling scene). The wounded man seeks an American exchange student, Rich Evans, and with dying breath informs him that he must look in ‘my room at Boyne Castle’. And, so begins a rollercoaster of car chases and espionage.

Barry and Paul Conroy recall how at that time the actors couldn’t stay in their parent’s hotel Ballykilty Manor, as renovations were taking place. A number of scenes were shot on the Manor grounds where the pitch and putt course once stood. Great canvas tents were erected for the camera crew, which doubled up for catering. This was done by the D’Auria family (or Enzo’s as we know them) who came from Ravello in Italy. Thereafter Enzo was a cook for many of Disney’s films. Barry also remembers the excitement of filming as a car was burnt out on their avenue!

Can’t you imagine the talk in the local pubs that night!

The scene pertaining to Quin concerns our main actors arriving to the village, having spent hours outrunning their pursuers. There’s a wonderful cinematic shot looking through the eye of the bridge towards Quin Abbey, as hungry and cold we observe them as they cross a wooden bridge from the Abbey side. They make their way to Marlborough’s house on the main street and here they steal a steak and kidney pie that’s cooling on the windowsill – but they are decent boys as they leave the price of it. The attached photo taken after filming ended, shows Kieran, Barry and Paul Conroy standing on the wooden structure that was created for the film. Paddy Hassett (R.I.P.) may be standing to their right with another boy.

Locals Pat Henchy and Mary Halpin were chosen to partake as ‘extras’ in the film. Pat was just fifteen years old when on a Sunday afternoon he attended Quin hall for an audition. They were recruiting local people as extras and he thought it might be ’a bit of an adventure’. A number of other locals were also in attendance, and Pat remembers he gave in his details and was subsequently called up. He has happy memories of going to the railway station in Ennis and boarding a train with the other ‘extras’. Their journey eventually brought them out to the tailrace at Ardnacrusha power station (built in 1929). He sat on the train for the duration of the trip and home again – and did so for three to four days as filming took place on the train’s carriages. As part of the action, two men had to jump off the train while it was in motion – thus the ‘extras’ were needed to make the scene look authentic.  All the ‘actors’ were fed in Ardnacrusha and the catering was out in the open. He recalls sitting in a carriage with a woman called Leslie Mc Crum, whose husband was manager of Braid’s factory in Ennis. Pat was paid some money, ‘it was a lot more than I’d get on any other day’. Many months later he went to see it in the Gaiety cinema in Ennis, and recalls how the patrons burst into laughter as an aerial shot in the opening scene showed a Clare County Council steamroller grace the screen.

Mary Halpin too remembers that time fondly, “I met Kurt Russell and had a few words with him in the Old Ground Hotel.” She even earned the nickname ‘the model’ (she claims Malachy christened her) as a result of her days acting in ‘The Guns in the Heather.’ She was sorry when it ended after a few weeks.

It’s a film of intrigue and suspense and you will be captivated by the scenes from Sixmilebridge, Kilkishen and Quin. One to watch over Christmas!

Visit YouTube and search for ‘The secret of Boyne Castle’ uploaded by Chris Johnson.

Happy Christmas,

Siobhán O’ Sullivan

 

 

 

Seán na Gealaí

Halloween is the direct descendent of Samhain. It was the night when the gap between this world and the spirit world narrowed.  Known as Oiche Shamhna or ‘spirit night’, the souls of the dead were expected to return to the family home. The Church introduced the Feast of All Saints (Nov1) and the Feast of All Souls (Nov 2nd) to counter Samhain. Evil spirits were also thought to be abroad and people avoided travelling alone on this night.

   “Deireann na daoine go mbíonn sidheogaí amuigh oidhche Shamhna”, Schools’ Collection (NFCS 249).

Origins of Samhain

Contender 1- Tulsk, County Roscommon

Oweynagat Cave, Uaimh na gCat, meaning the ‘Cave of the Cats’ in Rath Croaghan. The Book of Leinster names it as dorus iffrin na Hérend – Ireland’s Gateway to Hell. Demons and all kinds of creatures emerge from here on Oiche Shamhna.

 Echtra Nerai (the Adventures of Nera) is first mentioned in the 10th century Cath Maige Mucrama story,  happening at Samhain.

Oweynagat Cave is also said to be the home of the Morrigan. She is portrayed as a goddess of battle and war, with the power to transform into crows or ravens. Her dreaded cry was frequently heard over battlefields.

Echtra Nerai, the Adventures of Nera

An Irish text taken from the Ulster Cycle, dating to the tenth century entitled ‘Nera and the Dead Man’, tells of the warrior Nera who accepts a dare during a dark and stormy Samhain night to tie a withy around the ankle of a hanging dead man. As he does so, the corpse suddenly comes to life and asks Nera to carry him on his back. Nera complies. After some adventures Nera gets the dead man back to his tree. All of this takes place at Samhain at Rath Croaghan/Cruachan, hence its association with Halloween.

Contender 2 – Tlachtga, Meath

The original Tlachtga was a druidess of considerable power and importance, the daughter of Mug Ruith who lived on Valentia Island in Kerry. He is said to have lived through the reign of nineteen kings, with his lifespan stretching back to the time of Christ on earth. Tlachtga and her father could travel the world on the Rath, a fabulous spinning wheel of fire that easily transported them. Mug Ruith sought out knowledge and learning like few before him and it was in this manner that he and Tlachtga travelled to study under Simon Magus (Simon the Sorcerer), who is mentioned in the Bible.

Simon Magus and Mug Ruith sent Tlachtga out into the world to gather as much knowledge as she could find. Upon her return they realized that her knowledge far surpassed their own!
They were outraged and such was their jealousy that they set the three sons of Simon Magus upon Tlachtga, who defiled her. She returned to Ireland where she gave birth to three sons, Dorb (Doirb), Cuma (Cumma) and Muach.

It was on the hill of Ward in county Meath that Tlachtga brought her three sons into the world, and it was there that she died, unable to sustain her life in the face of the utter grief and despair she felt at the indignity she had endured.

In recent years a renewal of the annual gathering on the hill of Ward now attracts hundreds of people at Halloween. A walk from Athboy up towards the Hill itself culminates with a celebration, with elaborate ceremonies and an acknowledgement of the cultural gift to Ireland and the world that Tlachtga represents.

In the ancient kingdom of Mide, Tlachtga was considered an important assembly place alongside Tara, Teiltun and Uisneach. These four ‘corners’ are recorded as having been the location of fortresses constructed by high king Tuathal Techmar at the foundation of Mide in the early decades of the first millennium AD.

‘Much of the (archaeological) evidence points towards a long history of ritual activity. Large quantities of animal bones – a sign of large scale feasting have been found throughout all phases of the site. The lack of evidence of any residential or day to day activity strengthens the idea that it most likely it was set aside purely for ritual or celebratory activity.

There have been finds in all three phases of the site, including scattered Bronze Age human remains and the skeleton of an infant between seven and ten months old… The child burial, next to a ritual deposit of cow bones, dates to AD 450 – around the time of the arrival of Christianity.

“The child was clearly buried with care and having not found any evidence of burials on the site, we’d have to guess that This child belonged to someone significant”.

Harvest knots and Guises

 

 

Homemade masks made by village boys calling to local houses on Oiche Shamhna

Outdoors

Unlike May when the fairies are active, November Eve brings malevolent spirits. It is the night for community bonfires, especially in housing estates in the cities and towns. Collecting the last handful of fruit and nuts.

Indoors

Families would attempt to have a celebratory supper on Oiche Shamhna. Family supper might be colcannon or pandy. They would first secure the house by sprinkling Holy Water and possibly placing a religious object in the thatch near the front door.

Typical Samhain Food included pancakes, stampy (a potato and apple cake, crusted with barley, enhanced with sea spinach and rock samphire & cooked with oil) apple cakes, nuts, blackberry pies.

An bairín breac/the barmbrack or the ‘speckled loaf’, containing oodles of dried autumn fruits is still a favourite treat, with lashings of butter.

Tokens inside the traditional loaf included the ring as a symbol of love and marriage,  a thimble (spinsterhood); a button (bachelorhood); a stick (to be beaten by the spouse); a rag (poverty); a coin (wealth) and a crucifix (the taking of religious orders).

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