Saint Luchtigern or Luchticern, son of Cutrito, lived during the early sixth century. Hewas founder of the monastery beside Finnlough Lake, approx. 5 kilometres south-east of Quin village.The Irish name of this area is Tuaim-Fionnlocha, the Tomb of the Fair Lake, as recorded in the Annals of the Four Masters:-

A.D. 944. Scannlán Abb Tuama Fionnlocha decc, i.e., Scannlan Abbot of Tuaim Fionnlocha, died.

As is so often the case with early Celtic monks, they located their church in a place of quiet beauty. Fionn Lough, is the dominant feature in the immediate area.  

The monastic church stands back a short distance from the lakeshore.This area is one of the old ‘seven parishes’ of Newmarket on Fergus.

The church, now sadly in poor repair, shows evidence of three separate building phases. Large blocks of masonry around the door on the south side, represent the earliest phase, and date to between the tenth and the twelfth century.

.During the Anglo-Norman occupation of the area in the late thirteenth and early fourteenth centuries, the church was restored and some fine cut-sandstone windows were inserted into the south wall and east gable.

In the fifteenth century, the triple light east window was blocked up and a double light trefoil-pointed limestone window was inserted.

Note that on the closed-off twin window in the south gable with molding shown here on the left, there is evidence of the use of red sandstone

A stone, known locally as the ‘Plague stone’ or the ‘Cholera stone,’ is located on the outside of the graveyard perimeter wall (suggesting more extensive monastic grounds in the past). An old story tells that a woman suffering from the plagues came to Luchtigern one day and he prayed over her placing his hands on her suppurations. He cast all evidence of illness from her into a large stone. The stone has two raised circles, one with an inner circle and the second has the shape of a cross. They are said to imitate the pustules that appear on the skin when afflicted by the plague. Saint Luctigern is said to have endowed the stone with curative powers against disease.Thereafter people came to the stone for cure of ailments.

During their visit to Fenloe in 1839 the Ordnance Surveyors, O’ Donovan and Curry recorded the following:

‘The stone at which the miracle was performed was from thenceforward called “The Plague Stone” the name by which it is known to this day. The plague did not on that occasion make its further appearance within the distance of two miles at any side of Toomfinlough, nor has it done so ever since, for even during the late terrible ravages of the Cholera a single case of it did not occur within the above distance of this plague stone. This is asserted to have been the fact, whatever might have been the cause.

On that occasion people crowded in thousands to perform rounds, etc., at the plague stone, but whether its protective influence extended beyond the limits of its Termon or not, it would be very difficult to ascertain.’   (Ordnance Survey Letters by John O’Donovan and Eugene Curry, Parish of Tomfinlough, 1839).

The Plague Stone

Luctigern's three disciples

There are three Romanesque carved heads in the cemetery, said to represent Luchtigern’s disciples. A close examination of the middle head offers a clue to hair fashions in the fifteenth century. One is of limestone and two of sandstone, inserted into the south-eastern corner of the perimeter wall. These heads were originally placed over the lintel of a doorway in a small oratory that stood close to the church. This survived into the nineteenth century, as referenced by TJ Westropp. 

The heads are closely associated with the Plague Stone story. When Luctigern challenged his three disciples about his miraculous healing gift and cure of the woman with the plague, only one monk fully accepted it. He is now represented by the intact head on the wall – the other two eroded heads signify the doubters. 

An indication of how long the Fenloe site has been in use is seen in its graveyard. Here lie hundreds of stones placed at the head and the foot of the graves, without inscriptions.  Inscribed headstones did not come into popular use before the end of 17th century, much later in many places, so one can presume that many Fenloe graves are pre-17th century.

An old practice at Fenloe continues from an earlier era. When a coffin reaches the graveyard it is not carried directly to its final resting place. Instead, the bearers enter through the main gate and then exit at once through the side gate to the west. They move up the field about 60 metres where a coffin rest allows the coffin to be placed. It is then received into the graveyard from across the wall. There are all kinds of explanation for this – a tradition from the days when coffins were shouldered to graveyards, to avoid financial costs, to avoid moving in straight lines with the dead, to not rush the final journey. Whatever the explanation, it’s a venerable custom still maintained.

It is mentioned briefly in the National Folklore Collection in 1937: “When a corpse is to be buried in Fenloe Graveyard, they carry the coffin into the graveyard over the “steps” and not through the gate.” (The Schools’ Collection, James Clune, Clooney School, Volume 0593, Page 462).

Fenlo Graveyard
Fenlo Coffin Rest

There is a Holy Well at the front of the Fenloe site. It is in two parts – the first is a basin well or bullaun that is now inserted in the wall. Below it is a spring, contained in a grotto-like structure, refurbished by locals in 1959. Both water sources are still much visited. They permit the visitors to take some of the graces of Fenloe home with them.

 

Footnote: Fenloe is both an ancient and fascinating site.  During high winds on the 10th January 2007, the east gable of Fenloe fell.It still lies on the ground. Age is now greatly undermining the church and it is in urgent need of attention. Recent attempts to determine who might attend to repairs have proven fruitless. It would be an enormous cultural loss to the local and national community if it were not preserved.

References: Ryan, William Gerrard (1980). “Tomfinlough Parish”. A Survey of Monuments of Archaeological and Historical Interest in the Barony of Bunratty Lower, Co. Clare. Clare County Library.

Aiden Harrington, Fenloe Church and Graveyard – a layperson’s guide.https://heritage.clareheritage.org/places/reading-your-local-landscape/kilkishen-our-local-landscape/fenloe-church-and-graveyard-a-laypersons-guide

 

 

 

Seán na Gealaí

Halloween is the direct descendent of Samhain. It was the night when the gap between this world and the spirit world narrowed.  Known as Oiche Shamhna or ‘spirit night’, the souls of the dead were expected to return to the family home. The Church introduced the Feast of All Saints (Nov1) and the Feast of All Souls (Nov 2nd) to counter Samhain. Evil spirits were also thought to be abroad and people avoided travelling alone on this night.

   “Deireann na daoine go mbíonn sidheogaí amuigh oidhche Shamhna”, Schools’ Collection (NFCS 249).

Origins of Samhain

Contender 1- Tulsk, County Roscommon

Oweynagat Cave, Uaimh na gCat, meaning the ‘Cave of the Cats’ in Rath Croaghan. The Book of Leinster names it as dorus iffrin na Hérend – Ireland’s Gateway to Hell. Demons and all kinds of creatures emerge from here on Oiche Shamhna.

 Echtra Nerai (the Adventures of Nera) is first mentioned in the 10th century Cath Maige Mucrama story,  happening at Samhain.

Oweynagat Cave is also said to be the home of the Morrigan. She is portrayed as a goddess of battle and war, with the power to transform into crows or ravens. Her dreaded cry was frequently heard over battlefields.

Echtra Nerai, the Adventures of Nera

An Irish text taken from the Ulster Cycle, dating to the tenth century entitled ‘Nera and the Dead Man’, tells of the warrior Nera who accepts a dare during a dark and stormy Samhain night to tie a withy around the ankle of a hanging dead man. As he does so, the corpse suddenly comes to life and asks Nera to carry him on his back. Nera complies. After some adventures Nera gets the dead man back to his tree. All of this takes place at Samhain at Rath Croaghan/Cruachan, hence its association with Halloween.

Contender 2 – Tlachtga, Meath

The original Tlachtga was a druidess of considerable power and importance, the daughter of Mug Ruith who lived on Valentia Island in Kerry. He is said to have lived through the reign of nineteen kings, with his lifespan stretching back to the time of Christ on earth. Tlachtga and her father could travel the world on the Rath, a fabulous spinning wheel of fire that easily transported them. Mug Ruith sought out knowledge and learning like few before him and it was in this manner that he and Tlachtga travelled to study under Simon Magus (Simon the Sorcerer), who is mentioned in the Bible.

Simon Magus and Mug Ruith sent Tlachtga out into the world to gather as much knowledge as she could find. Upon her return they realized that her knowledge far surpassed their own!
They were outraged and such was their jealousy that they set the three sons of Simon Magus upon Tlachtga, who defiled her. She returned to Ireland where she gave birth to three sons, Dorb (Doirb), Cuma (Cumma) and Muach.

It was on the hill of Ward in county Meath that Tlachtga brought her three sons into the world, and it was there that she died, unable to sustain her life in the face of the utter grief and despair she felt at the indignity she had endured.

In recent years a renewal of the annual gathering on the hill of Ward now attracts hundreds of people at Halloween. A walk from Athboy up towards the Hill itself culminates with a celebration, with elaborate ceremonies and an acknowledgement of the cultural gift to Ireland and the world that Tlachtga represents.

In the ancient kingdom of Mide, Tlachtga was considered an important assembly place alongside Tara, Teiltun and Uisneach. These four ‘corners’ are recorded as having been the location of fortresses constructed by high king Tuathal Techmar at the foundation of Mide in the early decades of the first millennium AD.

‘Much of the (archaeological) evidence points towards a long history of ritual activity. Large quantities of animal bones – a sign of large scale feasting have been found throughout all phases of the site. The lack of evidence of any residential or day to day activity strengthens the idea that it most likely it was set aside purely for ritual or celebratory activity.

There have been finds in all three phases of the site, including scattered Bronze Age human remains and the skeleton of an infant between seven and ten months old… The child burial, next to a ritual deposit of cow bones, dates to AD 450 – around the time of the arrival of Christianity.

“The child was clearly buried with care and having not found any evidence of burials on the site, we’d have to guess that This child belonged to someone significant”.

Harvest knots and Guises

 

 

Homemade masks made by village boys calling to local houses on Oiche Shamhna

Outdoors

Unlike May when the fairies are active, November Eve brings malevolent spirits. It is the night for community bonfires, especially in housing estates in the cities and towns. Collecting the last handful of fruit and nuts.

Indoors

Families would attempt to have a celebratory supper on Oiche Shamhna. Family supper might be colcannon or pandy. They would first secure the house by sprinkling Holy Water and possibly placing a religious object in the thatch near the front door.

Typical Samhain Food included pancakes, stampy (a potato and apple cake, crusted with barley, enhanced with sea spinach and rock samphire & cooked with oil) apple cakes, nuts, blackberry pies.

An bairín breac/the barmbrack or the ‘speckled loaf’, containing oodles of dried autumn fruits is still a favourite treat, with lashings of butter.

Tokens inside the traditional loaf included the ring as a symbol of love and marriage,  a thimble (spinsterhood); a button (bachelorhood); a stick (to be beaten by the spouse); a rag (poverty); a coin (wealth) and a crucifix (the taking of religious orders).

Future Reading